Entertainment
Despite fine performances, the length of JALSA diminishes the impact.

Jalsa Review {2.5/5} & Review Rating
JALSA is the story of a hit-and-run case. Rukhsana (Shefali Shah) lives with her husband Rizwan, daughter Aaliya (Kashish Rizwan) and son Imaad in a shanty in Mumbai. She works as a maid in the household of eminent digital journalist, Maya Menon (Vidya Balan). She has been working with Maya, her mother (Rohini Hattangadi) and Maya’s son Aayush (Surya Kasibhatla) for three years and she’s considered to be one of the members of the family. One night, Maya gets late from work. She asks Rukhsana to stay back. She calls Imaad to Maya’s place so that he can be with her. She also calls Aaliya. However, she refuses under the pretext that she wants to study in her own house. Rizwan drops Imaad at Maya’s place and then goes to work. After Imaad and Rizwan leave, Aaliya ventures out late at night with a boy. While she’s out, she suddenly gets hit by a car. The one who commits the accident runs away immediately and so does the boy. It’s only in the morning that Aaliya is found in an unconscious state. She is badly injured and hospitalized. The investigation begins and the cops don’t seem very keen to nab the culprit. What happens next forms the rest of the film.
Prajwal Chandrashekhar and Suresh Triveni’s story has a certain novelty, and twists and turns that keep viewers engaged. Prajwal Chandrashekhar and Suresh Triveni’s screenplay has a niche appeal. Nevertheless, a few developments are exceptional and keep viewers hooked. However, the writing is stretched needlessly in the middle. A few developments are unconvincing. Hussain Dalal and Abbas Dalal’s dialogues are nothing special.
Suresh Triveni’s direction is quite different from his previous film, TUMHARI SULU [2017]. That film was far more mainstream. With JALSA, Suresh Triveni adopts the arthouse-style execution and it works for most of the film. The dilemma faced by the protagonist, especially, is handled very well. What also goes in the favour of the film is that the trailer has not given away an important plot point. As a result, audiences get a huge jolt in the first 15 minutes. This twist adds a lot to the film and keeps viewers engaged. Unfortunately, the exciting moments are there but are few and far between. The long length is another problem. The 129-minute long film ideally should have been just 90 or 100 minutes long. The climax is tense but could have been better. Moreover, the reason why the film is called JALSA is hard to digest.
ROFL-Vidya on Jalsa: “I read somewhere that it’s a biopic on Amitabh Bachchan’s house”| Shefali Shah
Vidya Balan has played several challenging roles. However, her part in JALSA is in a different league and she is in top form, as expected. Shefali Shah, too, gives her best and adds a lot to the film with her presence. Rohini Hattangadi is great in a supporting role. Surya Kasibhatla is adorable. Kashish Rizwan is decent. Mohammad Iqbal Khan (Maya’s boss Aman Malhotra) is dependable. Vidhatri Bandi (Rohini George) leaves a huge mark. Shrikant Yadav (More; cop) and Ghanshyam Lalsa (Pradeep; cop) are fair. Manav Kaul (Maya’s ex-husband) is lovely in a cameo. Vijay Nikam (Jalsa Reddy) is okay. Others are fine.
Gaurav Chatterji’s music gets no scope. Gaurav Chatterji’s background score is very subtle and very impactful. Saurabh Goswami’s cinematography is a bit raw and it adds to the impact. Ajay Chodankar and Vipin Kumar’s production design is realistic. Isha Bhansali’s costumes for Vidya Balan are apt. Sujata Kumari’s costumes for the rest of the actors are straight out of life. Shivkumar V Panicker’s editing could have been tighter.
On the whole, JALSA rests on Vidya Balan and Shefali Shah’s fine performances, and some unexpected twists and turns. However, the long length and certain unconvincing and unexciting moments diminish the impact to a great extent.

Cinema
ALONE Official Trailer Reaction | Mohanlal | Shaji Kailas | Ashmita Reacts

ALONE Official Trailer Reaction | Mohanlal | Shaji Kailas | Ashmita Reacts
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#alonemovie #Mohanlal #ShajiKailas #alonetrailerreaction #alonetrailerreview
Original Video Link: https://www.youtube.com/watch?v=cjINGeO9kT8
Credits:
Direction : Shaji Kailas
Producer : Antony Perumbavoor
Production Company : Aashirvad Cinemas
Script : Rajesh Jayaraman
Cinematography : Abinandhan Ramanujam | Pramod K Pillai
Editor: Don Max
Trailer Cuts – Ajas Pukkadan
Production Designer : Santhosh Raman
Music : 4 Musics
Chief Production Controller : Sidhu Panakkal
Production Controller : Saji C Joseph
Makeup : Liju Pamamcode, Bijeesh Balakrishnan
Colorist : Liju Prabhakar
Costume : T.V Murali
Finance Controller : Manoharan K Payyanur
Associate Director : Jagan Kailas
VFX : Tony Magmyth
Stills : Aniesh Upaasana
Design : Anand Rajendran
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Cinema
Thunivu Official Trailer Reaction | Featuring Thala Ajith | ACTION PACKED | Dad's Den

Thunivu Official Trailer Reaction | Featuring Thala Ajith | ACTION PACKED | Dad's Den
Here is my reaction to Thunivu trailer starting Thala Ajith! Looks so amazing.
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Cinema
Thunivu Official Trailer Reaction | Ajith Kumar | H Vinoth | Ghibran | Ashmita Reacts

Thunivu Official Trailer Reaction | Ajith Kumar | H Vinoth | Ghibran | Ashmita Reacts
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Original Video Link: https://www.youtube.com/watch?v=jnBZboK17_A
Credits:
Movie: Thunivu
Music composed & presented by: Ghibran
Starring: Ajith Kumar, Manju Warrier, Samuthrakani, John kokken, Veera, Bucks and others.
Written & Directed by H Vinoth
Produced by Zee studios & Boney Kapoor
DOP: Nirav Shah
Music director : Ghibran
Art director: Milan
Editor: Vijay Velukutty
Stunts: Supreme Sundar
Sounds Mixing: Tapas Nayak
Choreography: Kalyan
Costume Designer: Anu Vardhan
PRO : Suresh Chandra & Rekha Done
Publicity Campaign: Gopi Prasanna
CFO & General Manager : Rajiv Arora
COO: Punkej Kharabanda
Executive Producer: P. Jayraj
VFX: Hariharan Suthan
Music Label: Zee Music
#Thunivu #thunivutrailerreaction #thunivutrailerreview #thunivutrailer
**No copyright infringement intended**
**Original video rightfully belongs to the owner**
The video is for entertainment purposes only
Follow me on instagram : https://www.instagram.com/ijrrashmita/
COPYRIGHT DISCLAIMER:
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
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#Thunivu #Official #Trailer #Reaction #Ajith #Kumar #Vinoth #Ghibran #Ashmita #Reacts
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